The case for “Hybrid” photography | Brian Richman

The case for “Hybrid” photography | Brian Richman

For most of us, whenever we touch a computer to process an image, however much it was produced using film (or glass or metal) as the support medium and processed in a chemical darkroom to deliver a negative or even positive “inter-image” as they were called, if the image as displayed or viewed in its final form is via some type of electronic medium (not media, medium – there is a huge difference) it becomes a hybrid. 

My Journey into film, from amateur to now! | Adam J White

My Journey into film, from amateur to now! | Adam J White

I grew up in the 70’s and 80’s, so I know what film is. I held negatives and prints in my hands and even held the negatives up to the light as a kid to see what they were. I grew up looking at the hotrod and fashion magazines that were all shot on film. Of course back then I had no idea of what cameras or film were being used. I knew I just liked it.